AO3 is so cool, and peer-to-peer posting spaces in general, because you can find stuff and share stuff that isn't professional-grade but still has its own thing going for it - if everything had to be professional-grade to be seen then we'd all be missing out on a lot, both as readers and writers!

So yes, I spent like three decades dreaming of writing professionally and never even really writing at all, partly because the terror of expectation killed all desire to learn, and do by learning, and learn by doing. To kick off that expectation and just write for the sheer love of the story and characters and readers and prose is the way to make it happen!!

I'm having these revelations now like it's, I don't know, the turn of the millennium or something. Better late than never??

tl; dr writing is currently happening and I'm so happy!
There's a pair of murder ballads by The Secret Sisters, Iuka and Mississippi. They're very beautiful; I got a prompt to write a poem based on a song and this is what I came up with, lyrics to the tune of Mississippi.

DALLAB REDRUM
the other way around

Content warning: incest )

Quotes

Apr. 30th, 2022 11:09 am
I have a thing for pairing quotes together, here are three pairs featuring the late, great Toni Morrison:

1. Parallelism

Two hot, close rooms thus became my world; and a crippled old woman, my mistress, my friend, my all. Her service was my duty—her pain, my suffering—her relief, my hope—her anger, my punishment—her regard, my reward.
—Charlotte Brontë, Villette

And fantasy it was, for we were not strong, only aggressive; we were not free, merely licensed; we were not compassionate, we were polite; not good, but well behaved.
—Toni Morrison, The Bluest Eye

2. Blood

Half gods are worshipped in wine and flowers. Real gods require blood.
—Zora Neale Hurston, Their Eyes Were Watching God

The instinct of kings was always to slay the messenger, and they were right. A real messenger, a worthy one, is corrupted by the message he brings. And if he is noble then he should accept that corruption.
—Toni Morrison, Tar Baby

3. Gaze

This was a man who moved like the gods were watching; every gesture he made was upright and correct.
—Madeline Miller, The Song of Achilles

No one is looking at him, but he behaves as though there is. That's the way. Carry yourself the way you would if you were always under the reviewing gaze of an impressionable but casual acquaintance.
—Toni Morrison, Jazz
I have two examples of this. One, there is a passage in The Price of Salt, a beautiful, unusual transition from a character's thought of a thing to its materialization in the room:

“Terry, you’re an angel,” Richard’s deep voice said, and she thought of Carol saying the same thing.

She watched him pick up his little glass from the floor and set it with the bottle into the closet. She felt immensely superior to him suddenly, to all the people below stairs. She was happier than any of them. Happiness was a little like flying, she thought, like being a kite. It depended on how much one let the string out—

“Pretty?” Richard said.

Therese sat up. “It’s a beauty!”

“I finished it last night. I thought if it was a good day, we’d go to the park and fly it.” Richard grinned like a boy, proud of his handiwork. “Look at the back.”

It was a Russian kite, rectangular and bowed like a shield, its slim frame notched and tied at the corners. On the front, Richard had painted a cathedral with whirling domes and a red sky behind it.

“Let’s go fly it now,” Therese said.

Two, there is a scene in Busman's Honeymoon on which I took a note. The note reads:

Interrogation of Crutchley
  • Starts from Harriet's point of view
  • She leaves the room
  • Omniscient third, some dipping into Peter's head, some into Kirk's
  • Then Peter leaves
  • Scene continues

I.e., the narration stays in the room, is focalized through the room. So cool!

It is cool, isn't it?
SUMMER CRUSH; or, EARWORM
To the tune of Moves Like Jagger

GIRL #1

I failed every class
Spring semester
At school I’m just ass
A bad tester

My SAT blank
My GPA tanked
My parents are cranks

They’re making me take
Summer session
Well maybe I’ll shake
This depression

The first day of class
I saw your fine ass
Depression is past

Don’t know who I am
A girl who’s too scared to approach you
Or the type to think she can coach you
Will I swoon or swagger
Will I swoon or swagger
Will I swoon and moon this afternoon in June or swagger

I can’t dare myself to approach you
Can’t act like I think I could coach you
Guess I’ll swoon not swagger
Guess I’ll swoon not swagger
Guess I’ll swoon and moon this afternoon in June not swagger

I sit at the back
Of the classroom
You like to wear black
But you still bloom

The prettiest rose
My crush only grows
(The teacher he knows 😬)

Today is the day
I’ve decided
That I’m gonna say
What’s in my head

Catch you after class
And I’ll make a pass
But I’m such an ass

Don’t know who I am
A girl who’s too scared to approach you
Or the type to think she can coach you
Will I swoon or swagger
Will I swoon or swagger
Will I swoon and moon this afternoon in June or swagger

I should dare myself to approach you
And act like I think I could coach you
I won’t swoon but swagger
I won’t swoon but swagger
I won’t swoon and moon this afternoon in June but swagger

GIRL #2

I see you blush
When you look my way
You’ve got a crush
And I’m also gay

I think you’re super cute too
So come on make a move, you
(Surprise the teacher who knew)

You got a touch
Of bad attitude
But not too much
I know you won’t be crude

You ain’t got nothing to prove
So come on make a move, you
(Let’s shock the teacher who knew)

GIRL #1

Don’t know who I am
A girl who’s too scared to approach you
Or the type to think she can coach you
Will I swoon or swagger
Will I swoon or swagger
Will I swoon and moon this afternoon in June or swagger

Gonna make the choice to approach you
Not act like I think I could coach you
Neither swoon nor swagger
Neither swoon nor swagger
Neither swoon and moon this afternoon in June nor swagger 🙌